North West Australia Who's Who
Public Profile
Coach Aza
For us, it begins with water, with a story, and with a slash (/).
The slash is more than just a symbol —
It’s a lifeline. A current.
A reminder that we are not separate, but with.
With the game. With the land. With each other.
With those who came before, and those who are yet to come.
This is the story of the WaterBros and SistaFlo/Ws.
We are not athletes. Not influencers.
We are witnesses.
Grassroots storytellers.
The ones who show up —
to carry water, to run lines, to capture moments in the dirt,
on the edge of the field, in the heat of the grind.
We are the unseen force that has always been there.
Every splash of hydration, every call from the boundary,
every pep talk at halftime, every parent on the fence.
We move with the game,
we carry the Flo/W.
Our symbol, the slash ( / ), is inspired by the tail of the stingray —
graceful and powerful, protective and precise.
It slashes through time, connecting the old with the new,
ceremony with sport, the sacred with the everyday.
It is the mark we wear, and the rhythm we follow.
And @ —
the spiral, the body, the wings, the eye, the echo of everything.
We don’t just tag it. We live it.
It captures presence. Attention. Connection.
Where we are @/
As a Culture.
As Individuals.
As Community.
Together, @/ become more than brand marks.
They are ceremonial signs.
Markings of a movement.
Signals of belonging.
This is not just a campaign.
It is a resurrection.
A global storytelling movement led by those who stand
in the shadows of the game, and shine light from the sidelines.
---
WaterBros and Sistas Worldwide.
Powered by the Flo/W.
Guided by the slash.
Carried by water.
Connected through story.
---
Welcome to the WaterBro & SistaFlo/W World Wide Movement.
The current begins here —
with every sip.
We
/ Flo/W /
T.O.WaterBro @/
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Distinguished and Famous people from North West Australia
🛡️ Jandamarra
Jandamarra grew up on Bunuba Country as pastoral occupation spread into the Kimberley. After working within the settlers’ economy and as a police tracker, he became a leader of armed resistance. His knowledge of the ranges helped sustain that struggle against colonial police. He was killed at Tunnel Creek in 1897. Bunuba accounts and commemorations place his life within the defence of Country and the survival of a community, rather than treating him simply as an outlaw. His story gives the north-west’s dramatic landscape a human and political history that scenery alone cannot convey.
🖌️ Queenie McKenzie
Queenie McKenzie spent her life in the Texas Downs and Warmun area of the East Kimberley. A Gija woman, teacher and artist, she used painting to communicate knowledge of Country and culture. Her ochre landscapes give hills and landmarks a strong presence, often presenting them in profile rather than as distant scenery. She also negotiated protection for sacred women’s sites around the Argyle diamond mine. Her paintings and community work shared a purpose: ensuring that younger generations could inherit knowledge, language and responsibilities. The beautiful surfaces carry particular places and histories, not a generalised image of the Australian desert.
🎵 Jimmy Chi
Jimmy Chi grew up in Broome before schooling in Perth, carrying the town’s cultural diversity into a distinctive musical voice. Bran Nue Dae brought humour, songs and Aboriginal experience to the stage and later to the cinema. The work made room for serious questions about identity and discrimination without surrendering its comic energy. Chi’s career also unfolded alongside significant mental-health difficulties. Recognition included a national human-rights award for writing and designation as a Western Australian Living Treasure. Broome was both home and a rich cultural setting for work that found audiences far beyond the Kimberley.
